Max enjoyed a trip to Goodwood for the Speedweek event, where he shot this Ford GT. “This image stands out because of the photo itself and because I was standing in the middle of the iconic Goodwood pit lane,” he says. “Another nerdy fanboy moment!”
Olgun, meanwhile, shot the spectacular Bacalar in a studio, although he admits Bentley thought he looked a bit amateur when he turned up with fairy lights.
But it worked, as did Luc’s use of light in his shot of a concept built by a friend of Colin Goodwin.
And Max’s evocative use of artificial light shows he was clearly feeling the Christmas spirit when he shot this Land Rover Defender.
AUTOCAR’S BEST RENDERS OF 2020
Our scoops are illustrated by picture editor Ben Summerell-Youde. His proudest creation of 2020 was the MC20, although he admits: “I felt guilty pressing Ferrari hard to get hold of a high-resolution image of the SF90 Stradale, only to use it as the base for a Maserati.”